Theatre at St. Luke’s invites performers to audition for its upcoming summer production of Big Fish, a sweeping, imaginative musical based on the celebrated novel by Daniel Wallace and the beloved film directed by Tim Burton. Set against the backdrop of the American South, Big Fish follows the larger-than-life Edward Bloom, whose extraordinary tales blur the line between truth and myth. As Edward nears the end of his life, his son Will sets out to uncover the man behind the stories, discovering the heart, humor, and heroism hidden within.

Directed by Steve MacKinnon, with choreography by Lindsay Wood Hose and music direction by John R. Mason III and Bradley Roberts, Big Fish promises to be a heartfelt and visually stunning production that explores themes of family, legacy, and the magic of storytelling.

• Auditions are by appointment only and will take place at St. Luke’s United Methodist Church, located at 4851 S. Apopka Vineland Road, Orlando, FL 32819.
• Auditionees should prepare 16–32 bars of a musical theatre song in the style of the show.
• Those auditioning for principal roles should also prepare a one-minute memorized monologue.
• Dancers will be asked to stay to learn a dance combination within an hour of their scheduled audition time.
• Auditionees will be required to upload a digital copy of their resume and headshot (or a recent photo) when signing up.
• CALLBACKS will be by appointment:
  • Tue. 5/20 5:00PM – 9:00PM (any dance callbacks will be held on Tuesday)
  • Wed. 5/21 5:00PM – 9:00PM

• REHEARSALS begin 6/8/25
  • SUNDAY afternoons from 2:00PM – 6:00PM
  • MONDAY + TUESDAY + WEDNESDAY evenings from 6:30PM – 10:00PM
• TECH: 7/26/25 – 7/30/25
• PERFORMANCES: 7/31/25 – 8/10/25 (9 performances total)

full schedule HERE

BIG FISH – Theatre at St. Luke’s

Edward Bloom
30s–40s (also plays himself as a teenager and in his early 60s)
A charismatic Southern storyteller who leaves small-town Ashton in search of adventure. Indentured with a traveling circus, he eventually meets the love of his life, Sandra, and begins family life with their son, Will. Edward’s heart, however, remains on the road as a traveling salesman. His tall tales reflect how he sees the world and the way he hopes his son will live. Comedy and charisma are essential. Performer must be an excellent singer and comfortable with contemporary rhythms and styles. Not exclusively a traditional Broadway sound.

Sandra Bloom
30s–40s (also plays herself as a teenager and in her early 60s)
Edward’s wife and the love of his life. Sandra is the bridge between Edward and Will, trying to heal the relationship between them even as she faces the grief of losing her husband. Performer must be an excellent singer, leaning toward a country style. Mezzo or soprano with strong mix to Eb/F.

Will Bloom
Mid–late 20s
Edward and Sandra’s son, now a reporter for the AP in Paris. Will values truth and fact, leading to a strained relationship with his father’s penchant for fantastical stories. Facing Edward’s terminal illness and his own impending fatherhood, Will embarks on a journey of understanding. Performer must be an excellent singer with a modern Broadway sensibility. Tenor with a sustained G.

Young Will
Age 8–11
The young version of Will is captivated but also skeptical of his father’s stories. With Edward often away, Young Will feels the responsibility of being the man of the house. Performer should be a good singer with a range from B below middle C to C an octave above middle C.

Karl the Giant
20s–late 30s
A misunderstood “monster” who bonds with Edward. Though his height will be augmented for fantasy sequences, the performer should naturally be very tall and comfortable on stilts. Basso profundo with a solid low E.

The Witch
20s–60s
Proprietress of a backwoods gin joint who also tells fortunes. The Witch immediately recognizes Edward’s special destiny. A dynamically powerful and tragic figure. Performer must have a commanding belt voice up to F#.

Jenny Hill
20s–mid 30s (also plays Jenny as a teenager and in her mid-50s)
Edward’s high school sweetheart who remains hopeful for his return. Life’s hardships eventually lead her to live isolated in a swamp shack. Mezzo soprano.

Josephine Bloom
20s
Will’s charming, funny, and supportive wife, pregnant through much of the story. She embraces Edward’s world with warmth and curiosity.

Amos Calloway
30s–40s
The quirky, down-market P.T. Barnum who owns the Calloway Circus. A lively, eccentric figure who strikes a pivotal bargain with Edward. Strong comic chops and character singing voice required.

Dr. Bennett / Judge / Others
Track Age: 40s–60s.
Edward’s trusted doctor and lifelong friend, along with additional small ensemble roles.

Don Price
20s–30s (also plays Don as a teenager)
Edward’s lifelong nemesis, a hot-headed and competitive bully. Performer must have strong comic chops. Baritone.

Zacky Price
20s–30s (also plays Zacky as a teenager and later in life)
Don’s skittish and easily-spooked younger brother. Ultimately plays a key role in saving Ashton. Performer must have strong comic chops. Tenor.

Ensemble Opportunities
Seeking strong singer-dancers for a vibrant and varied ensemble.
Roles include townsfolk, whimsical creatures, circus performers, USO dancers, saloon dancers, and magical figures.

Performers should demonstrate proficiency in both classical and contemporary musical theatre styles. Tap and acrobatic skills are a plus.

Dare to Dream JR. is a vibrant musical revue that weaves together timeless classics, contemporary favorites, and reimagined medleys to celebrate a century of Disney magic. An eager group of young trainees attend their first day at a fictional Walt Disney Imagineering Studio, where they must first discover their own dreams in order to help others achieve theirs. The team works together to explore the power of dreams to unite, inspire, and make anything possible. Featuring songs from 24 Disney films, including Tangled, The Lion King, Toy Story, The Princess and the Frog, and Encanto, this musical revue is jam-packed with show-stopping dance numbers, new twists on classic songs, and a powerful message that will surprise and delight Disney lovers of all ages.

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PRODUCTION INFORMATION:

• CAMP DATES/TIMES:
  • This is a half-day, 2 week production camp that runs from Mon. 6/2/25 – Sun. 6/15/25. Students will be required to bring their own lunch and snacks.
  • week 1: 9:00AM – 3:00PM on MON. 6/2, TUE. 6/3 WED. 6/4, THUR. 6/5, FRI. 6/6
  • week 2: 9:00AM – 3:00PM on MON. 6/9, TUE. 6/10, WED. 6/11, THUR 6/12
    ALL DAY on FRI. 6/3 9AM – 5PM (students will stay through until the performance. Please pack a lunch. Dinner will be provided.)
  • performance call times: SAT. 6/14 5:30PM | Sun. 6/15 12:30PM
  • PLEASE NOTE: Due to the nature of this production, conflicts with camp dates may impact a student’s ability to participate. If you would like to ask about your conflicts before signing up for an audition, please email us at theatre@st.lukes.org
• TUITION: $400.00
  • SCHOLARSHIPS: St. Luke’s offers scholarship opportunities to allow all persons to be involved in the ministries we offer. We do place a limit on the amount we can scholarship individuals. Please complete THIS FORM for further consideration in our scholarship program.
    Applying for or being awarded financial aid does not impact or guarantee any casting decisions.